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The Circle

An Illusion Review by Joan Ellis

The Circle

The Circle is perfectly timed for this moment. To dismiss its premise as impossible is to ignore history. While every decade can be identified by its primary thrust, the one that has changed the professional, business, and personal lives of the world is surely the Internet. Rooted in that change, this movie shows us the problems that often follow enormous transitions. The good comes first, the bad often follows. We can already see and sense the growing erosion of privacy that this movie envisions.

The Circle is the name of a spectacular new city where people live and work in a culture of sharing their lives. Privacy is eliminated (“bad things happen in privacy”) and all people live in the dream world of friendship, luxury, sports, social gatherings, and work as they create a new culture that travels round the world on the Internet. Everyone is proud to be hired to live and work in The Circle. They have become passionate adherents of a new culture wrapped in a deceptive coating of progress, friendship, and caring.

Mae (Emma Watson) and Circle boss Eamon Bailey (Tom Hanks) show us what might happen in the future. Initially, new hire Mae has simmering doubts, especially when she meets Ty (John Boyega) the disaffected original founder of The Circle. Bailey has wrapped Ty’s original concept in fine sounding theories and sold it to millions around the world as open caring, open sharing. He announces at a packed meeting the company’s new product: a marble size glass ball that can be attached to any person or any building. He has put forty of these in a European city where no human detail escapes observation.

Bailey’s goal? Everyone will wear a marble, every detail of their lives will be automatically shared with the world. After two tough happenings in her own life, Mae squashes her suspicions and embraces Bailey’s “full transparency.” He preaches that lost children will be found in eight minutes, that dictators can’t thrive in public life and democracy will be strengthened. Privacy is the enemy. Everyone will thrive. It is “the chaos of the world made elegant.” Bailey assures his thousands of followers that his plans will cure disease, end hunger. Everyone will know everything. If you are laughing by now, reconsider.

In her usual understated way, Emma Watson plays it straight and effectively. Tom Hanks creates a convincing deceiver covered in his phony good intentions. If you think the big picture here is extreme, what is your reaction when you remember the world without the Internet? We have already learned that in its few decades the Internet has already allowed the computer to rule the communication and behavior of the world. Before you laugh, remember that enormous world change is always open to selfish misuse. The fine casting of Emma Watson and Tom Hanks reminds us to continue asking ourselves the central question of the movie: Where is the Internet’s erosion of our privacy taking us?

Film Critic : JOAN ELLIS
Film Title : The Circle
Word Count : 502
Running time: 1:50
Rating : PG-13
Date : May 7, 2017

 

Arrival

An Illusion Review by Joan Ellis

Arrival

Arrival. What could be less likely than a cerebral thriller about space aliens? Is there such a thing? Ted Chiang wrote a story; Eric Heisserer did the screenplay, and Denis Villeneuve directed. Yes, it features space aliens but instead of the expected battles in the sky against monstrous beings, the story focuses on Dr. Louise Banks (Amy Adams), an accomplished, respected linguist in the academic world.

Twelve space pods have landed in various parts of our world, and the world is scared. Ignoring the temptation to become a blockbuster cliché, Amy Adams plays Dr. Banks as the serious professor determined to approach the aliens peacefully. She and Ian Donnelly (Jeremy Renner) are summoned by Colonel Weber (Forest Whitaker) to use her language skills to discover whether the spacemen have come for peace or war.

As the movie cuts frequently to newsreels of a country hunkering down in fear and preparing for battle, Banks is determined to discover motivation before the politicians assume deadly intentions. When she succeeds in coaxing the aliens to come closer and they respond, we’re hooked. Credit the filmmakers with extraordinary inventiveness in creating the aliens and their language as art forms instead of monstrous images. This is something different, and it is good.

Although most space movies unfold in the world of the impossible, this one hits different chords because recent scientific advances are already planted in our heads. A recent PBS documentary about the possibility of visitors from other planets said the probability is high for visits within five years. That surreal possibility injects a morsel of reality that makes the arrival a symbol for global interaction and quiet negotiating rather than military strength and tests of will.

In the early scenes, Director Villeneuve made sure we knew the degree of Dr. Banks’ experience with languages and Amy Adams never undercuts the image of the serious linguist in any way. She creates a grand study of an expert challenged beyond her field with nothing less than the safety of the world at stake. For probably the first time, an audience is actually at the shoulder of a subtle, intelligent actor as she explores contact with an alien culture. Nothing happens on screen to undercut the feeling that we will one day be edging up to this situation in real life. This is a space fantasy with one root planted deeply in the ground.

This movie is a grand combination of fun, curiosity, and adventure that plants a whole new attitude about space stories. Some very inventive minds put it together and it would be a shame to skip it as I almost did when I thought it would be another monster bashing explosion in the sky.

The creators of this film have made a plea for understanding that global communication, not global war, will one day be our essential tool. Let’s hope an Amy Adams is on hand to help us.

Film Critic : JOAN ELLIS
Film Title : Arrival
Word count : 492
Running time : 1:56
Rating : PG-13
Date : December 11, 2016