The Souvenir and Rocketman

Movie Review by Joan Ellis –


Though The Souvenir and Rocketman are polar opposites, perhaps one of the two will appeal to some of you in this strange movie summer.

Rocketman features a shy man who suffers the effects of fame as he learns to live with his success. He is beautifully acted by Taron Egerton who takes Elton John on the journey of a shy man trying hard to adjust to his new success as a singer through a bad period of alcohol, cocaine, sex, drugs, and anger. There is an air of inevitability about all this. He grew up with two nasty, selfish parents while music kept bursting out of him. He had no emotional support. His friend Bernie (Jamie Bell) sustains him in adulthood.

The early scenes of the boy’s magical music ability in that grim house are very moving and make us care deeply about this boy/teen/adult as the story unfolds in bars while he becomes famous through his ability with rock, soul, country and western. The boy becomes Elton John singing to crowds and sinking into alcohol, fame, and aloneness.

Though alcohol trouble usually weakens movies, this one’s central character is played with such extraordinary musical talent by Taron Egerton that the story soars whenever he is onscreen – drunk or sober. Egerton delivers the singer’s talent and his innate decency so well that we are held by him throughout. He captured us in the early scenes as a boy prodigy with no one in his home to encourage him. As the strength we saw in him as a boy resurfaces, the audience grins in pleasure and most are dancing in their seats. Be sure to stay for the credits that update the audience on Elton John’s several decades of sobriety and musical success.

In rare unanimity, The Souvenir won the first-place crown at Sundance and has received ten reviews of 100% from top critics. What fun, I thought, to see a winner. On that day, my eagerness gave way to deep disappointment. All but a handful of us had walked out. The movie was made by real pros and that’s exactly how it felt – a handful of experienced, talented original filmmakers and actors rooted in the assumption that their audiences would understand their experimental movie.

A young film student named Julie (Honor Swinton Byrne) picks as her lover a complicated mess of a man. That would be Anthony (Tom Burke). The fine actor Tilda Swinton appears infrequently with her real life relative. The movie needs more of her. What we get is a fractured story of an inexperienced Julie trying to make both a film and her own love affair work.

The whole movie is a string of scenes that begin and end without letting us in on what’s going on. Yes, Tom Burke delivers the rapid decay of a man and Honor Swinton Byrne gives us a fractured young filmmaker but nothing they do captures our interest or our hearts.

Film Critic : Joan Ellis
Film Title : The Souvenir and Rocketman
Word Count : 496
Running Time : 1:54
Rating : R
Date : June 9, 2019

Amazing Grace

Movie Review by Joan Ellis –

Amazing Grace

The simple fact: “Amazing Grace is a documentary that presents Aretha Franklin singing with a choir at the New Bethel Baptist Church in Watts, Los Angeles in January 1972.”

Here it is after being shelved for 38 years because of a complex mess of problems. One non-fixable block was the failure of director Sydney Pollack to understand how to sync images with sound. Back then, that could not be fixed. Add to that Aretha Franklin’s own refusal to allow release of the film that has now been released after her death at 76.

This documentary is intriguing on every level. With her career of multiple hits and gospel stardom secure, Franklin came to the making of this two-day documentary wrapped in quiet dignity and serious determination to record her musical career in two sessions. The two days unfold in an absorbing mix of confusion, talent, and emotion.

Reverend James Cleveland is the in-scene director while also playing the piano accompaniment for Franklin. We watch the extraordinary singer unleash the gospel winners of her career while the backup singers, spectators, and performers themselves express their appreciation and astonishment with great enthusiasm as they listen to their star.

On these two days in 1972, Aretha Franklin sings the songs she made famous in her youth. Even if you stand at a huge distance from this talent and the culture, just try to stop being moved as you watch it. Then ask yourself if what you are feeling isn’t a deeply genuine expression you never expected.

On both nights, the woman who reaches us wears flowing floor length dresses in beautiful colors and patterns that cover every inch of her except her face. What a contrast to the singers of today who stand stiffly in almost-no-clothes – the compulsory uniform for performers in our time. Franklin delivers her gift as she stands quietly behind the mike and we are both riveted and contained as we marvel at what we see and hear.

Though her stillness and dignity surprise us, the whole room is electrified every time she sings. Be sure to watch her hands when she plays the piano. The feeling is that this woman is an instrument of delivery for the inexplicable talent and rhythm that were part of her from childhood. Watch her father as he reminisces about the trip they took together when she was eleven.

As the camera shifts often among those assembled on screen – chorus, spectators, speakers – we watch the room full of individuals reacting with a heap of differing personalities. Some sing, some collapse, some swirl, and while they do, they are reflecting the rising excitement being generated by Aretha Franklin. She is a woman with deep natural dignity who sings from her heart with the voice she was given and learned how to use.

Anyone who sees Amazing Grace will feel grateful to those who rescued it from the oblivion where it rested for 38 years.

Film Critic : Joan Ellis
Film Title : Amazing Grace
Word Count : 497
Running Time: 1:29
Rating : G
Date : April 28, 2019