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Adrift

Movie Review by Joan Ellis –

Adrift

Early warning: I loved and admired Adrift without any reservation and am thoroughly pleased to be able to write about it. Director Baltasar Kormakur delivers the emotions of a young couple as they fall in love and then as they endure the massive hurricane of 1983 at sea.

Because the Icelandic director triggers audience emotion skillfully and without sentimentality, I urge you to leave your critical eye at home and sink into it. If you’re a sailor, don’t crush the mood by picking a fault here or there. Just get into this one with pleasure.

Tami (Shailene Woodley) is wandering the world supporting herself by doing physical work on docks. She is rootless, strong, and independent. Richard (Sam Claflin) is living his life at sea on the boat he has built with his own hands. Neither has a life plan other than to follow their instincts for water and boats. Both are, at the moment, happily rootless and unable to explain what brought each to this longing for the sea.

During a relaxed courtship that unfolds on the water off Tahiti, Richard is offered $10,000 by a couple who need someone to take their boat from there to San Diego. As the couple sails into the rising winds of the hurricane, director Kormakur begins a series of scene shifts between love and hurricane that add up to an extraordinarily moving portrait of these two young people. Nothing about their personalities, their abilities, or their depth of character is a cliché.

The depth and drive that actor Shailene Woodley calls on to create Tami holds us throughout. She is an individual who can be nearly broken by circumstance, but instead, rebounds. She and Sam Claflin create a couple facing death by weather with the same stoicism we saw in the two young people who met as they were building separate lives around the sea. Two lesser actors could easily have turned this couple into a cliché. Instead, the writers have created two young people who fled early family troubles to be near the sea. Each did that alone.

The filming of the storm itself and its effects on these two after 41 days adrift silences the theater. The filmmakers have created a hurricane that reveals nothing of pretend. We feel we are there in both the good and bad times, and that is rarely true in love stories or disaster movies. They have brought all of us right into the middle of the storm that threatens two people we care about quite genuinely. How many times a year do you feel yourself disappear from your theater seat into the story on that great big screen?

When we learn in the final credits that this movie is based on a true story I was surprised to find myself disappointed because I couldn’t quite believe the real players could possibly have been as quietly strong as those created by Shailene Woodley and Sam Claflin. Please, just go.

Film Critic : JOAN ELLIS
Film Title : Adrift
Word Count : 501
Running Time : 1:38
Rating : PG-13
Date : June 3, 2018

The Leisure Seeker

Movie Review by Joan Ellis –

The Leisure Seeker

Watching Helen Mirren and Donald Sutherland create a movie called The Leisure Seeker was a positive prospect. Advance word promised they would travel from their home in Wellesley, MA to Key West on her promise to bring her husband at last to see the home of his hero, Ernest Hemingway.

Mirren and Sutherland. Each is known for making roles jump alive and they try hard here. Why then, does it fall flat? That’s not an easy question because it’s wholesome fun watching them drive south in their old-fashioned Winnebago motor home that bears the name Leisure Seeker. This American road trip is done well – campgrounds, casual conversations with strangers, small bonfires, and finally the stretch across the magnificent highway that soars over the water from Florida to Key West. That suspended road carries drivers not just across the multiple miles of water but through another emotional world that belongs only to the driver at the wheel. With no distractions, we have left the earth and travel mile after mile as if suspended from any world we know.

So, what’s the problem? Think of how ignorant we Americans often look when we root our stories in a foreign culture. The Italian director has done that here. Just before the couple heads south, we watch a Trump rally in Wellesley, one of the most liberal towns in America and one of the least likely to celebrate Trumpian beliefs. Later on, we watch Ella storm into an old age home armed with a shot gun as she demands to see an old boyfriend from years ago. Those scenes aren’t just out of place; they’re just plain silly.

But then we return to watching two fine actors chat with both affection and annoyance as they travel the country one last time. We watch Ella (Hellen Mirren) and John (Donald Sutherland) interact with love and loyalty sprinkled with bouts of impatience on Ella’s part. She’s not well either, but tells no one, and husband John is thoroughly absorbed with his literary heroes. Best of all, when things are going well we watch their appreciation of being free on the road together on a beautiful adventure.

They do this while refusing to tell their two adult children where they are, knowing those grown kids would have refused to let them board the Winnebago. One more negative is the casting of these two. Their son (Christian McKay) is a gay man who comes across as an incompetent nutcase without our ever understanding why. Although their daughter (Janel Moloney) seems slightly more sane, we are happy they don’t have bigger parts. Another minor reservation: can anyone identify for me the roots of Helen Mirren’s accent?

It’s a shame the final road trip given us by two of today’s finest actors isn’t better. If you go, just enjoy their efforts and plant yourself emotionally in the Winnebago as it makes its way to that superb highway to Key West.

Film Critic : JOAN ELLIS
Film Title : The Leisure Seeker
Word Count : 501
Running Time : 1:52
Rating : R
Date : 15 April 2018