Three Billboards Outside Ebbing, Missouri

An Illusion Review by Joan Ellis

Three Billboards Outside Ebbing, Missouri

How often during this year’s barren movie scene have you been surprised? Hustle off to Three Billboards Outside Ebbing, Missouri for a fix. Martin McDonagh has created a movie that is made for the oddball talents of Frances McDormand and she embraces his script with abandon. It’s odd to suggest that you will laugh often and not be much bothered by the violence, but that’s true. Take a look.

The daughter of Mildred Hayes (Frances McDormand) has been raped and murdered and Ebbing’s local police department has not turned up a clue to the murderer in over a year. In her anger, Mildred rents three decrepit billboards on a seldom used highway entrance to the town for a month with an option to extend if she can raise the money. Papered with a bright red background, she paints enormous white letters. On #1: Still No Arrests. #2: How Come, Chief Willoughby? #3: Raped While Dying.

Mildred then visits the police department where all conversation is wrapped in profanity. Take that as the announcement that the rest of the movie will unfold in an odd mixture of accusations, comic moments, physical violence, and shifting alliances all delivered in obscenities.

We get to know Dixon (Sam Rockwell), second in command, who unfurls an odd character who keeps going home to his mother to refuel his brutal self for all other encounters. Woody Harrelson creates William Willoughby, the tough talking police chief who confesses to Mildred that he has cancer. His dying police chief is a grand portrait of a man who actually wants to find the truth but is wrapped in fear of dying and leaving his family. Even his search for the truth doesn’t derail Mildred’s foul mouthed verbal attack.

McDormand, looking the same in every scene with uncombed hair and jeans, lets us know with just a few atypical gestures that a human being lives within this angry woman. She creates a character like none we’ve ever seen on screen. When I promise that you’ll both laugh and shiver as she unleashes her rage, you won’t believe me until you watch that odd combination unfold violently in the hands of this unpredictable actor. She’s not just an original; she’s very good.

Other than the three billboards, there is little time spent on the town or its inhabitants. We meet just nine characters brought together by McDormand’s actions. As they destroy each other verbally and physically in that grim police station, the station itself becomes a stage for the eruption of the violence just resting in the minds of all the players.

By now you are probably deciding this one isn’t for you, but I urge you to go. If you think I’m crazy to recommend a movie saturated in fire and blood and guns and bad language, just go see for yourself what writer/director Martin McDonagh and Frances McDormand have done. And did I forget to tell you that you’ll laugh a lot?

Film Critic : JOAN ELLIS
Film Title : Three Billboards Outside Ebbing, Missouri
Word Count : 498
Running Time: 1:55
Rating : R
Date : December 3, 2017


Battle of the Sexes

An Illusion Review by Joan Ellis

Battle of the Sexes

The significance of the 1973 Billie Jean King/Bobby Riggs tennis match wasn’t as obvious then as it is now. Those of us who watched it back then thought of it as a joke crafted by Riggs to promote himself after the end of his tennis career. King understood perfectly that if she won, her victory would be a big step forward in equal treatment for women in pay and in attitude. Her victory was a landmark step even though four decades later, women are still fighting for equality.

Men earned as much as eight times what women did in professional tennis and were astonished when anyone suggested that was unfair. Billie Jean King believed that if she could beat Riggs in this match that was infused with serious intent along with comic foolery she could change the treatment of women.

Emma Stone and Steve Carell create King, Riggs, and the tone of their time with marvelous perception. Riggs had won Wimbledon three times and hated every minute of trying to live a normal life after tennis. Steve Carell captures the feisty guy who loved gambling and drinking. He decided to challenge the women’s champion, beat her, and confirm that women must stay where they belong and he would wrap it all up as comedy.

Emma Stone is terrific as she captures both the determination and the doubts King feels as she accepts Riggs’ challenge. She wants equality in pay and recognition for women, two goals ridiculed by men in tennis and business. Ninety million viewers watched her beat Riggs in three sets. At stake was the beginning of the Women’s Liberation movement of that era.

New poignancy is added to the story by revelation of their private lives. King was married to a kind, supportive man (Austin Stowell) when she met Marilyn Barnett (Andrea Riseborough), an attentive hairdresser who became, against King’s better judgement, her lover. Riggs was married to Priscilla (Elizabeth Shue) a rich woman who supported him in the style he loved.

In a strong supporting cast, Natalie Morales creates Rosie Casals as a tough, outspoken ally for King’s decisions. Jessica McNamee gives us a nasty Margaret Court, and Bill Pullman creates a thoroughly unpleasant Jack Kramer who represents every man in the world who believes women belong in the kitchen and the bedroom. In a welcome addendum, we are given short, welcome statements about the turns their lives took after that match in 1973.

Though the battle starts with Riggs’ wrapping himself in a joke to recreate himself, the serious issues are all right there. Emma Stone is superb as she shows us the toll exacted on Billie Jean King as she made the world understand that women were about to emerge from the kitchen. We hear “Someday we will be free to be who we are and love who we love.” Forty some years later, that day has still not arrived. Jack Kramer would be pleased.

Film Critic : JOAN ELLIS
Film Title : Battle of the Sexes
Word Count : 496
Running time : 2:01
Rating : PG-13
Date : October 1, 2017