Queen of Katwe


An Illusion Review by Joan Ellis

Queen of Katwe

Queen of Katwe tells of the passage of a young Ugandan girl from poverty to chess championship. That unlikely journey demands the nuanced acting and strong direction that this movie delivers. It is full of fine performances including a towering one from Lupita Nyong’o who conveys the desperate need for the discipline that will allow her to guide her children to adulthood when they often have nothing to eat and all sleep on the floor.

Throughout the movie director Mira Nair gives us a rendering of a culture of poverty that stuns us to silence. The sheer numbers of people rummaging among the crowds for food, looking for ways to earn money and facing certain defeat while we sit comfortably in the theater is overwhelming. The heat, the hunger, the noise, the lack of hope.

In the middle of this crushing culture, single mother Nakku (Lupite Nyong’o) struggles to keep her family alive in their fragile shelter. She is harsh with them to the point of alienating all of us who are watching until we gradually begin to understand that it is her way of holding her family together, of protecting them from the dangers that surround them. She is trying desperately to help them find a way out, to educate them in a school and in her home so they will one day be able to escape their poverty.

Phiona (Madina Nalwanga) falls under the guiding hand of a kind, thoughtful man named Robert (David Oyelowo) who is trying to help children by teaching them to play chess in a tent. After a relatively short time, Phiona begins to soar and Robert asks, “Where did you learn those moves? Did you read one of my books?” Her reply: “I don’t know how to read.”

We are treated to a long and lovely experience of watching Robert guide his charges through tournaments in alien lands. His tender encouragement and understanding as they adjust to the places of plenty they had never imagined is touching. And then Phiona returns to a proud mother and her family still sleeping on the floor in their shelter. She watches her mother light a candle so her newly educated daughter can read by the light while Robert says, “Your children are blessed because they have a mother who never gave up on them.”

This beautiful story is never sentimentalized. It washes over audiences with all its rough edges as Phiona struggles through the emotional and physical pitfalls of her upward climb through different worlds. As fine as the cast is, the towering performance comes from Lupita Nyong’o as Phiona’s mother. Against the impossible odds of their immediate surroundings, she imposes the harsh discipline that will protect her children and allow them to rise if ever they get the chance.

A final salute is due to Disney who made the film. We can be forgiven for expecting they might have made it of sugar. They didn’t.

Film Critic : JOAN ELLIS
Film Title : Queen of Katwe
Word count : 496
Running time : 2:04
Rating : PG
Date : October 23, 2016



A Brilliant Legal Thriller

An Illusion Review by Joan Ellis


Denial is a nearly flawless movie made by a team of British filmmakers who have been honored individually in the past with an Oscar, a Cannes Award, an Emmy and other nominations. They know what they’re doing and together they have created a movie that is written and acted with great complexity. This true story is likely to stay with you long after you leave the theater.

In reality and on screen, Deborah Lipstadt (Rachel Weisz) is a professor at Emory University in Atlanta. She has written a book, History on Trial: My Day in Court with a Holocaust Denier. As the movie opens, she has been sued by British writer David Irving (Timothy Spall) who has built his life and career on trying to convince the world that the Holocaust never happened, that there were no gas chambers at Auschwitz.

If that seems to be an easy win for Lipstadt, remember that while in America we are innocent until proven guilty, in Britain we are guilty until proven innocent. As Deborah Lipstadt’s British legal team takes on the job of actually proving the Holocaust did happen, the collective talent of this British film group assumes the challenge of having to prove something the world has believed for more than seventy years.

Based on Lipstadt’s book, British playwright David Hare’s complex screenplay reflects the demands of British law while we in the audience are increasingly absorbed by trying to understand the strategy of her legal team. There isn’t a moment when we know what is coming next. This is a legal thriller with high stakes.

In Tom Wilkinson’s hands, defense lawyer Rampton becomes a riveting study of a man who knows he must master all the detail if he is to win. His lawyer is brilliant, manipulative, and secretive inside and out of court. Credit Andrew Scott with a fine portrait of solicitor Anthony Julius who steers Lipstadt through the legal process that demands she remain silent.

The wondrous Timothy Spall builds the repulsive Holocaust denier with such skill that we understand why the law suit is the challenge it is. Spall literally becomes David Irving, the Nazi sympathizer, the relentless historian who says the gas chambers were a myth. He generates our hatred with masterful skill.

Rachel Weisz, who builds the explosive American who knows her stuff, is a marvelous study as she is silenced by her lawyers when she wants to preach from the witness box. As she begins to understand the complexity of their plan, she holds back. Hers is a performance that moves slowly from determination to be heard to acceptance, to understanding – and she does it all beautifully.

Whatever you may know about the Holocaust, you are likely to be immersed in suspense as the movie unfolds. Flawless writing, acting, and directing combine to silence us from beginning to end. The British have shown us how to stun an audience with a brutal piece of history. .